Efforts for naught
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Efforts for naught
http://www.oldschoolhack.net/osh-docs/O ... v1beta.pdf
I haven't looked at it with great depth, but 'oly moley, this thing makes a mockery of all my OSR work with Parabellum. It seems to meet all of my goals with much greater finesse and quality.
I haven't looked at it with great depth, but 'oly moley, this thing makes a mockery of all my OSR work with Parabellum. It seems to meet all of my goals with much greater finesse and quality.
Come see Sprockets & Serials
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
EXPLOSIVE RUNES!
The round and arena structure are much cleaner and more solid than Basic D&D, and follow a paradigm close to my initial work with phases and zones.
Come see Sprockets & Serials
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
EXPLOSIVE RUNES!
- Ancient History
- Serious Badass
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The ENnies are probably the most worthless, meaningless awards given in gaming. The number of truly shit products that have won an ENnie is staggering. It's not even political, it's like all of the ENworld forums cry out in one voice for whatever the hell they're fapping to this year.hogarth wrote:I looked at it after it won an ENnie. It didn't really seem any better or worse than Basic D&D. I guess it's much shorter, which might be an advantage, depending on what you're looking for.
I personally don't care about the ENnies. I only found this system because of a random link click through the Free RPG Blog, and took a lark on reading it...and found a much superior system than anything I was making.
You guys ever run into that?
You guys ever run into that?
Come see Sprockets & Serials
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
EXPLOSIVE RUNES!
I've had the case where I've mulled over a vague idea and that I've later seen it implemented well. That's sort of the same thing.
With regards to the arenas, they're too vague to really praise or criticize. There's a big heaping helping of Magical Tea Party about the whole thing (not that there's anything wrong with that).
With regards to the arenas, they're too vague to really praise or criticize. There's a big heaping helping of Magical Tea Party about the whole thing (not that there's anything wrong with that).
Re: Efforts for naught
I'm not too well versed in either of the specific things you just mentioned, but the general phenomenon you're describing I know well.virgil wrote:http://www.oldschoolhack.net/osh-docs/O ... v1beta.pdf
I haven't looked at it with great depth, but 'oly moley, this thing makes a mockery of all my OSR work with Parabellum. It seems to meet all of my goals with much greater finesse and quality.
God yes.I personally don't care about the ENnies. I only found this system because of a random link click through the Free RPG Blog, and took a lark on reading it...and found a much superior system than anything I was making.
You guys ever run into that?
God it sucks.
Happened to me recently with the movie Chronicle, which is essentially the same story I've been trying to tell unsuccessfully in various formats for about 12 years...except they actually finished it and they did it much better and very publicly and visibly, and no one will believe me now when I say "I have been writing that exact idea since the 2000".
Last edited by Neurosis on Wed Feb 22, 2012 6:55 pm, edited 4 times in total.
For a minute, I used to be "a guy" in the TTRPG "industry". Now I'm just a nobody. For the most part, it's a relief.
Trank Frollman wrote:One of the reasons we can say insightful things about stuff is that we don't have to pretend to be nice to people. By embracing active aggression, we eliminate much of the passive aggression that so paralyzes things on other gaming forums.
hogarth wrote:As the good book saith, let he who is without boners cast the first stone.
TiaC wrote:I'm not quite sure why this is an argument. (Except that Kaelik is in it, that's a good reason.)
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Chronicle is a movie I feel like I had heard of before Chronicle. I could not point out what specifically gave me that impression, but it seemed a lot like the 'idea' of Chronicle had been around forever and someone finally took the general story and made a movie of it. Not that there's anything wrong with that, I'm just saying I'm not surprised that something remarkably similar was floating around in your (or a bunch of other people's) head for a long time before it actually came about.
It made me think of Akira, mixed with some Cloverfield. In fact, I was waiting on the giant pulsating expanding mass of flesh to show up.
It's superhero origin story. The fact that it takes you a long, long while to realize this is a testament to the execution.
It's superhero origin story. The fact that it takes you a long, long while to realize this is a testament to the execution.
Last edited by Maxus on Wed Feb 22, 2012 7:28 pm, edited 1 time in total.
He jumps like a damned dragoon, and charges into battle fighting rather insane monsters with little more than his bare hands and rather nasty spell effects conjured up solely through knowledge and the local plantlife. He unerringly knows where his goal lies, he breathes underwater and is untroubled by space travel, seems to have no limits to his actual endurance and favors killing his enemies by driving both boots square into their skull. His agility is unmatched, and his strength legendary, able to fling about a turtle shell big enough to contain a man with enough force to barrel down a near endless path of unfortunates.
--The horror of Mario
Zak S, Zak Smith, Dndwithpornstars, Zak Sabbath. He is a terrible person and a hack at writing and art. His cultural contributions are less than Justin Bieber's, and he's a shitmuffin. Go go gadget Googlebomb!
--The horror of Mario
Zak S, Zak Smith, Dndwithpornstars, Zak Sabbath. He is a terrible person and a hack at writing and art. His cultural contributions are less than Justin Bieber's, and he's a shitmuffin. Go go gadget Googlebomb!
It wears its influences on its sleeves, and Akira is a HUGE one of them, and the most super obvious. There are lots of less obvious influences, though.
Chronicle is less about original ideas, honestly, and more about "holy shit fucking great execution" (IMHO anyway): on an originality scale it scores pretty poorly.
Chronicle is less about original ideas, honestly, and more about "holy shit fucking great execution" (IMHO anyway): on an originality scale it scores pretty poorly.
For a minute, I used to be "a guy" in the TTRPG "industry". Now I'm just a nobody. For the most part, it's a relief.
Trank Frollman wrote:One of the reasons we can say insightful things about stuff is that we don't have to pretend to be nice to people. By embracing active aggression, we eliminate much of the passive aggression that so paralyzes things on other gaming forums.
hogarth wrote:As the good book saith, let he who is without boners cast the first stone.
TiaC wrote:I'm not quite sure why this is an argument. (Except that Kaelik is in it, that's a good reason.)
Actually, upon further thought there's enough to criticize.hogarth wrote:With regards to the arenas, they're too vague to really praise or criticize. There's a big heaping helping of Magical Tea Party about the whole thing (not that there's anything wrong with that).
It sounds boring, because you're supposed to get so excited by +2 bonuses that you give up a turn, but in practice you're almost always better off attacking with either a ranged weapon (if you're in an adjacent arena) or a heavy weapon (if you're in the same arena), using your other hand for a shield. Many of the class abilities are basically for flavour, and you're allowed to cherry-pick the actual useful ones, so most of your characters will end up looking almost identical.
Yawn.
Last edited by hogarth on Wed Feb 22, 2012 8:04 pm, edited 1 time in total.
I noticed that too, when stumbling upon the Red Box Hack SRD. If there was a better incentive to move (like regaining powers or a sort of The Edge mechanic) and if the arenas were more strongly defined like with Really Big Squares or FATE then that might not be the case. Most every class ability being straight flavor was kind of shitty, too.hogarth wrote:Actually, upon further thought there's enough to criticize.hogarth wrote:With regards to the arenas, they're too vague to really praise or criticize. There's a big heaping helping of Magical Tea Party about the whole thing (not that there's anything wrong with that).
It sounds boring, because you're supposed to get so excited by +2 bonuses that you give up a turn, but in practice you're almost always better off attacking with either a ranged weapon (if you're in an adjacent arena) or a heavy weapon (if you're in the same arena), using your other hand for a shield. Many of the class abilities are basically for flavour, and you're allowed to cherry-pick the actual useful ones, so most of your characters will end up looking almost identical.
Yawn.
I do like their Action Point economy (but I don't like them sticking in a weird 4e style power schedule and then obviating it with said Action Point economy) and the concept of Arenas is sound enough.
FrankTrollman wrote: Halfling women, as I'm sure you are aware, combine all the "fun" parts of pedophilia without any of the disturbing, illegal, or immoral parts.
K wrote:That being said, the usefulness of airships for society is still transporting cargo because it's an option that doesn't require a powerful wizard to show up for work on time instead of blowing the day in his harem of extraplanar sex demons/angels.
Chamomile wrote: See, it's because K's belief in leaving generation of individual monsters to GMs makes him Chaotic, whereas Frank's belief in the easier usability of monsters pre-generated by game designers makes him Lawful, and clearly these philosophies are so irreconcilable as to be best represented as fundamentally opposed metaphysical forces.
Whipstitch wrote:You're on a mad quest, dude. I'd sooner bet on Zeus getting bored and letting Sisyphus put down the fucking rock.
@Virgil
I always thought the first key to creating something good was recognizing what was good in the first place. If you can see the quality in other peoples' work it means you don't have your head up your ass.
It's something..
Edit- It's ironic that nobody has responded to the Questions of humanity/ isolation post
I always thought the first key to creating something good was recognizing what was good in the first place. If you can see the quality in other peoples' work it means you don't have your head up your ass.
It's something..
Edit- It's ironic that nobody has responded to the Questions of humanity/ isolation post
Last edited by RobG on Thu Feb 23, 2012 5:06 am, edited 1 time in total.
There are a number of powers that are recharged by moving into a new arena. In terms of effort, I would do much better tweaking OSH rather than Parabellum to get the kinks out, as the base is much more solid.Mask_De_H wrote:I noticed that too, when stumbling upon the Red Box Hack SRD. If there was a better incentive to move (like regaining powers or a sort of The Edge mechanic) and if the arenas were more strongly defined like with Really Big Squares or FATE then that might not be the case. Most every class ability being straight flavor was kind of shitty, too.
Wouldn't irony be where many people gathered to respond to that post [/snark]?
Come see Sprockets & Serials
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
EXPLOSIVE RUNES!
...none of which are worth wasting a turn on (with the possible exception of Backstab).virgil wrote:There are a number of powers that are recharged by moving into a new arena.
I'm not sure what it is about the "arena" idea that people like. Outside of the powers that reference them (which are basically useless), there's very little to the idea:
(a) arenas exist
(b) some of them give a bonus to a type of attack
(c) you need to be in the same arena for melee
(d) you can give up your attack to try to bullrush someone into another arena
(e) you can give up your attack to move from arena A to arena B, but enemies in arena A get free attacks against you
That's really about it. You could probably get the same effect in D&D by saying every fight takes place in a number of 10'x10' rooms and getting rid of the "standard + move" action combination.
It acts very similarly to my zones mechanic in Parabellum, without the nearly extraneous Size mechanic. As for point E, I'm not seeing that rule exist. In fact, moving from arena to arena is without hindrance or penalty (barring opportunity penalty) unless someone goes out of their way to stop you.hogarth wrote:I'm not sure what it is about the "arena" idea that people like. Outside of the powers that reference them (which are basically useless), there's very little to the idea:
(a) arenas exist
(b) some of them give a bonus to a type of attack
(c) you need to be in the same arena for melee
(d) you can give up your attack to try to bullrush someone into another arena
(e) you can give up your attack to move from arena A to arena B, but enemies in arena A get free attacks against you
What makes it of any particular difference with zones (including FATE's)?
Come see Sprockets & Serials
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
EXPLOSIVE RUNES!
Okay, but (a) and (c) are extremely trivial, and (b) and (d) are mildly interesting but hardly revolutionary (e.g. D&D already has rules for bullrushing and height advantage bonuses, for instance). So which point do you find so interesting? It really seems like just a tiny variation on 1E AD&D's "you're in melee or you're not" version of combat positioning.virgil wrote:It acts very similarly to my zones mechanic in Parabellum, without the nearly extraneous Size mechanic.hogarth wrote:I'm not sure what it is about the "arena" idea that people like. Outside of the powers that reference them (which are basically useless), there's very little to the idea:
(a) arenas exist
(b) some of them give a bonus to a type of attack
(c) you need to be in the same arena for melee
(d) you can give up your attack to try to bullrush someone into another arena
(e) you can give up your attack to move from arena A to arena B, but enemies in arena A get free attacks against you
I'm not sure where I was getting that idea from; probably an extremely garbled reading of the Impede action.virgil wrote:As for point E, I'm not seeing that rule exist. In fact, moving from arena to arena is without hindrance or penalty (barring opportunity penalty) unless someone goes out of their way to stop you.
I'm not expecting it to be a vastly superior play space system, so much as I expect it to meet my goals; which are no grids/rulers, simple, as well as tactical & descriptive enough for movement to still happen. I like to think that my zone/phase system largely meets these goals, but I also feel that the arena/round system does it better, which is the important thing to work with.hogarth wrote:Okay, but (a) and (c) are extremely trivial, and (b) and (d) are mildly interesting but hardly revolutionary (e.g. D&D already has rules for bullrushing and height advantage bonuses, for instance). So which point do you find so interesting? It really seems like just a tiny variation on 1E AD&D's "you're in melee or you're not" version of combat positioning.virgil wrote:It acts very similarly to my zones mechanic in Parabellum, without the nearly extraneous Size mechanic.hogarth wrote:I'm not sure what it is about the "arena" idea that people like. Outside of the powers that reference them (which are basically useless), there's very little to the idea:
(a) arenas exist
(b) some of them give a bonus to a type of attack
(c) you need to be in the same arena for melee
(d) you can give up your attack to try to bullrush someone into another arena
(e) you can give up your attack to move from arena A to arena B, but enemies in arena A get free attacks against you
The fact that the arena-recharge powers aren't commonly good is a separate matter. In hindsight, I can't really claim that my system's abilities were at all balanced with each other either. Playtested balance between talents/classes is a whole other matter that will need to be worked on in either case.
Come see Sprockets & Serials
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
EXPLOSIVE RUNES!
Of course, you still need a grid/map/whatever for Old School Hack, unless you assume that anyone can teleport from any arena to any other arena in the universe in one step. You just have "really big squares", to coin a phrase.virgil wrote: I'm not expecting it to be a vastly superior play space system, so much as I expect it to meet my goals; which are no grids/rulers, simple, as well as tactical & descriptive enough for movement to still happen.
Ah, but while all grids are maps, not all maps are grids. There is a level of imprecision allowed that you can't match when you need to count squares or measure heights. There is a clear and present advantage to just throwing down tokens, minis, and soda can terrain on any table at a fraction of the effort compared to 3E (or 4E especially).hogarth wrote:Of course, you still need a grid/map/whatever for Old School Hack, unless you assume that anyone can teleport from any arena to any other arena in the universe in one step. You just have "really big squares", to coin a phrase.virgil wrote: I'm not expecting it to be a vastly superior play space system, so much as I expect it to meet my goals; which are no grids/rulers, simple, as well as tactical & descriptive enough for movement to still happen.
Come see Sprockets & Serials
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
How do you confuse a barbarian?
Put a greatsword a maul and a greataxe in a room and ask them to take their pick
EXPLOSIVE RUNES!
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Akira's the obvious one, but I think every villain of the week cartoon ever has done an episode with "teenager gets superpower, then turns into dick." Chronicle was just a more in-depth and mature take on the concept than a 30-minute kid/teen's cartoon with way better storytelling.MGuy wrote:I agree. Chronicle screamed Akira to me except that more than one guy got powers and I could understand the ending better the first time around.