FUCK MICHAEL BAY!
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- Josh_Kablack
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Well, specifically, the TMNT origin story as told by the original Eastman and Laird comics (and the 80s cartoon and the early 90s movies) was a parody of established Marvel Comics origins. They were very distinctly exposed to the same radioactive substance that gave Daredevil his heightened senses. Literally, the cannister bounced of Matt Murdock's (although no Marvel IP was named in any of the TMNT work, other details converged) forehead and then rolled into the sewers where they not-yet-mutated turtles had recently been flushed. This pointed out that we (comics readers) had only really cared about the human protagonists and not really given a thought to what happened to a loose canister of radioactive mutagen in the middle of New York city.
And while that is an obscure enough origin reference that it's certainly safe to ditch, there is a tremendous missed opportunity in doing any sort of revision that isn't a similarly subtle rip based on the origins of any one of the recent blockbuster comics book movies.
And while that is an obscure enough origin reference that it's certainly safe to ditch, there is a tremendous missed opportunity in doing any sort of revision that isn't a similarly subtle rip based on the origins of any one of the recent blockbuster comics book movies.
"But transportation issues are social-justice issues. The toll of bad transit policies and worse infrastructure—trains and buses that don’t run well and badly serve low-income neighborhoods, vehicular traffic that pollutes the environment and endangers the lives of cyclists and pedestrians—is borne disproportionately by black and brown communities."
Re: FUCK MICHAEL BAY!
Look dummy, they had an episode about the futility of the entire autobot/decepticon conflict, which was amazing for the time, but ended its bleakest scene with a heroic victory tune, as if the episode was not aware what it did up to this point. This is so much worse than shit, calling it a stupid cartoon is generous.Kaelik wrote:Look dummy. By any possible fucking metric whatsoever, the transformer's cartoons are higher fucking quality then the movies and higher quality than most fucking cartoons. They often tackled actual real lessons and stories in them. The entire show is actually like a metaphor and shit. They are not "stupid cartoons." Get over yourself. You were wrong. It's okay.
darkmaster, you are a fucking moron. Last Airbender is amazing, assuming anyone would judge it based on Transformers is shitbrained. And yet here you are... shitting your brain.
Last edited by Rawbeard on Sat Jun 28, 2014 6:27 pm, edited 1 time in total.
To a man with a hammer every problem looks like a nail.
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- Knight-Baron
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Rawbeard you are a fucking idiot. You're base assertion is that movies based on cartoons are stupid because cartoons are stupid, you might not think that's what you're saying but that is what you are actually saying. I then replied by pointing out how fucking stupid you are for saying that by mentioning the numerous reasons you are wrong you then proceeded to agree with me that you are, in fact, a fucking moron who cannot access the part of the brain that allows most humans to connect concepts in their minds while simultaneously calling me a shitbrain for saying that thing you admitted was right.
Go to hell.
Go to hell.
Kaelik wrote:Fuck you Haruhi is clearly the best moe anime, and we will argue about how Haruhi and Nagato are OP and um... that girl with blond hair? is for shitters.darkmaster wrote:Tgdmb.moe, like the gaming den, but we all yell at eachother about wich lucky star character is the cutest.
If you like Lucky Star then I will explain in great detail why Lucky Star is the a shitty shitty anime for shitty shitty people, and how the characters have no interesting abilities at all, and everything is poorly designed especially the skill challenges.
He just called TLA amazing, I don't think his stance is that cartoons are bad, just that certain cartoons are bad.
Keys to the Contract: A crossover between Puella Magi Madoka Magica and Kingdom Hearts.
RadiantPhoenix wrote:The D&D wizard is a work of fiction that has a completely unrealistic expectation of "uses a book".TheFlatline wrote:Legolas/Robin Hood are myths that have completely unrealistic expectation of "uses a bow".
hyzmarca wrote:Well, Mario Mario comes from a blue collar background. He was a carpenter first, working at a construction site. Then a plumber. Then a demolitionist. Also, I'm not sure how strict Mushroom Kingdom's medical licensing requirements are. I don't think his MD is valid in New York.
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- Knight-Baron
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No, the statement he actually agreed with while appearing to be dismissive of transformers in context is actually dismissive towards children's show adaptions which implies children's movies are dumb. So while that might be what he thinks he's saying it isn't what he is, in fact, saying.
Kaelik wrote:Fuck you Haruhi is clearly the best moe anime, and we will argue about how Haruhi and Nagato are OP and um... that girl with blond hair? is for shitters.darkmaster wrote:Tgdmb.moe, like the gaming den, but we all yell at eachother about wich lucky star character is the cutest.
If you like Lucky Star then I will explain in great detail why Lucky Star is the a shitty shitty anime for shitty shitty people, and how the characters have no interesting abilities at all, and everything is poorly designed especially the skill challenges.
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- Invincible Overlord
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Don't forget the Dinobots. One of the worst cases of comic relief in animated history, with Jarjar and Scrappy below them and Antoine and Orko above them.
ME GRIMLOCK.
ME GRIMLOCK.
Josh Kablack wrote:Your freedom to make rulings up on the fly is in direct conflict with my freedom to interact with an internally consistent narrative. Your freedom to run/play a game without needing to understand a complex rule system is in direct conflict with my freedom to play a character whose abilities and flaws function as I intended within that ruleset. Your freedom to add and change rules in the middle of the game is in direct conflict with my ability to understand that rules system before I decided whether or not to join your game.
In short, your entire post is dismissive of not merely my intelligence, but my agency. And I don't mean agency as a player within one of your games, I mean my agency as a person. You do not want me to be informed when I make the fundamental decisions of deciding whether to join your game or buying your rules system.
The Dinobots at least have the advantage of being fucking giant robot dinosaurs that can eat other giant robots.
Jar-Jar would have been tolerable if he was a giant robot dinosaur with a huge sword.
Of course,there's a reason why people prefer the Marvel comics where grimlock is a genius tactician.
But, hey, at least we're not talking about The Beast Within.
We shall never talk about The Beast Within, ever.
Jar-Jar would have been tolerable if he was a giant robot dinosaur with a huge sword.
Of course,there's a reason why people prefer the Marvel comics where grimlock is a genius tactician.
But, hey, at least we're not talking about The Beast Within.
We shall never talk about The Beast Within, ever.
Last edited by hyzmarca on Sun Jun 29, 2014 11:31 pm, edited 1 time in total.
- Stahlseele
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And now he is going to rape another piece of childhood memory of an entire generation . .
http://www.theonion.com/articles/michae ... cats,2702/
http://www.theonion.com/articles/michae ... cats,2702/
Welcome, to IronHell.
Shrapnel wrote:TFwiki wrote:Soon is the name of the region in the time-domain (familiar to all marketing departments, and to the moderators and staff of Fun Publications) which sees release of all BotCon news, club exclusives, and other fan desirables. Soon is when then will become now.
Peculiar properties of spacetime ensure that the perception of the magnitude of Soon is fluid and dependent, not on an individual's time-reference, but on spatial and cultural location. A marketer generally perceives Soon as a finite, known, yet unspeakable time-interval; to a fan, the interval appears greater, and may in fact approach the infinite, becoming Never. Once the interval has passed, however, a certain time-lensing effect seems to occur, and the time-interval becomes vanishingly small. We therefore see the strange result that the same fragment of spacetime may be observed, in quick succession, as Soon, Never, and All Too Quickly.
Can't tell if not funny joke, or Stahlseele too stupid to know what Onion is.Stahlseele wrote:And now he is going to rape another piece of childhood memory of an entire generation . .
http://www.theonion.com/articles/michae ... cats,2702/
The U.S. isn't a democracy and if you think it is, you are a rube.DSMatticus wrote:Kaelik gonna kaelik. Whatcha gonna do?
That's libertarians for you - anarchists who want police protection from their slaves.
- Stahlseele
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The onion is for once not making a joke:
http://www.imdb.com/news/ni25449060/
http://www.imdb.com/news/ni25449060/
Welcome, to IronHell.
Shrapnel wrote:TFwiki wrote:Soon is the name of the region in the time-domain (familiar to all marketing departments, and to the moderators and staff of Fun Publications) which sees release of all BotCon news, club exclusives, and other fan desirables. Soon is when then will become now.
Peculiar properties of spacetime ensure that the perception of the magnitude of Soon is fluid and dependent, not on an individual's time-reference, but on spatial and cultural location. A marketer generally perceives Soon as a finite, known, yet unspeakable time-interval; to a fan, the interval appears greater, and may in fact approach the infinite, becoming Never. Once the interval has passed, however, a certain time-lensing effect seems to occur, and the time-interval becomes vanishingly small. We therefore see the strange result that the same fragment of spacetime may be observed, in quick succession, as Soon, Never, and All Too Quickly.
- Ancient History
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- Invincible Overlord
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Does or would Michael Bay's film-making career count as So Bad It's Good?
His special effects are way, way above that of most SBIG auteurs, but I think that you could make a reasonable case that the rest of his moviemaking ability would fall into that category. Once you get past all of the nerdrage. I mean, to me the quintessence of So Bad It's Good are these two things: Sincere ludicrousness and a misunderstanding of and subsequent butchering of storytelling and filmmaking elements. A lot of people also claim that technical ineptness -- which Michael Bay's movies aside from a few odd moments do not really have -- is also a defining quality but I think that it can be waived depending on how strong the other two qualities are.
Like, the animal cracker scene in Armageddon is hysterical. Or Martin Lawrence freaking out over a corpse's breasts in Bad Boys 2. Those are just random weirdass scenes that belong in a Sonichu comic or Ed Wood movie.
His special effects are way, way above that of most SBIG auteurs, but I think that you could make a reasonable case that the rest of his moviemaking ability would fall into that category. Once you get past all of the nerdrage. I mean, to me the quintessence of So Bad It's Good are these two things: Sincere ludicrousness and a misunderstanding of and subsequent butchering of storytelling and filmmaking elements. A lot of people also claim that technical ineptness -- which Michael Bay's movies aside from a few odd moments do not really have -- is also a defining quality but I think that it can be waived depending on how strong the other two qualities are.
Like, the animal cracker scene in Armageddon is hysterical. Or Martin Lawrence freaking out over a corpse's breasts in Bad Boys 2. Those are just random weirdass scenes that belong in a Sonichu comic or Ed Wood movie.
Last edited by Lago PARANOIA on Wed Aug 20, 2014 4:40 pm, edited 1 time in total.
Josh Kablack wrote:Your freedom to make rulings up on the fly is in direct conflict with my freedom to interact with an internally consistent narrative. Your freedom to run/play a game without needing to understand a complex rule system is in direct conflict with my freedom to play a character whose abilities and flaws function as I intended within that ruleset. Your freedom to add and change rules in the middle of the game is in direct conflict with my ability to understand that rules system before I decided whether or not to join your game.
In short, your entire post is dismissive of not merely my intelligence, but my agency. And I don't mean agency as a player within one of your games, I mean my agency as a person. You do not want me to be informed when I make the fundamental decisions of deciding whether to join your game or buying your rules system.
- Shrapnel
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Possibly, although I personally would argue not. The Transformer films and TMNT are certainly NOT SBIG, but some of his other films might be, but I haven't seen any of his other films besides those, so I can't say for sure. I DO know that he has definitely not done anything as great as The Room or Puma Man.
Is this wretched demi-bee
Half asleep upon my knee
Some freak from a menagerie?
No! It's Eric, the half a bee
Half asleep upon my knee
Some freak from a menagerie?
No! It's Eric, the half a bee
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- Invincible Overlord
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I haven't seen The Room, but I have seen Puma Man by way of MST3K and Transformers 1 by way of being a fucking faux-awesome obsessed idiot seven years ago. I'm surprised that you think that Transformers 2 and Puma Man are all that dissimilar once you look past the special effects.
Last edited by Lago PARANOIA on Thu Aug 21, 2014 1:56 pm, edited 2 times in total.
Josh Kablack wrote:Your freedom to make rulings up on the fly is in direct conflict with my freedom to interact with an internally consistent narrative. Your freedom to run/play a game without needing to understand a complex rule system is in direct conflict with my freedom to play a character whose abilities and flaws function as I intended within that ruleset. Your freedom to add and change rules in the middle of the game is in direct conflict with my ability to understand that rules system before I decided whether or not to join your game.
In short, your entire post is dismissive of not merely my intelligence, but my agency. And I don't mean agency as a player within one of your games, I mean my agency as a person. You do not want me to be informed when I make the fundamental decisions of deciding whether to join your game or buying your rules system.
- Shrapnel
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PUMA MAN: Charm, Donald Pleasance, Bad Ass Aztec Dude, Donald Pleasance, silly-in-a-fun-way plot, Bad Ass Aztec Dude, gods chillin' in funky disco ball spaceships, bad 70's hair, Donald Pleasance mispronouncing "puma", the 70's, milk of magnesium, catchy and silly theme music, puma's having the ability to teleport, just all around fun and enjoyable, even WITHOUT the MST3K riffs. As well as Donald Pleasance and the Bad Ass Aztec dude as the Beaver.
TF ROTF: Pain, The Beef, Megan "Imma Porn Star, With the Acting Skills to Boot!" Fox, sorrow, racism, the Twins, the Twins, THE TWINS, OH GOD THE FUCKING TWINS, written during a writers strike, which certainly didn't help, Michael Bay, NO plot, NO charm, NO catchy theme music, NO pumas, NO hair, NO Bad Ass Aztec Dude, NO Beavers, fucking Beef causin' grief, not fun and enjoyable, even WITH riffs. Did I mention the Beef was in it? Because that alone takes away like 32,985,062 points.
TF ROTF: Pain, The Beef, Megan "Imma Porn Star, With the Acting Skills to Boot!" Fox, sorrow, racism, the Twins, the Twins, THE TWINS, OH GOD THE FUCKING TWINS, written during a writers strike, which certainly didn't help, Michael Bay, NO plot, NO charm, NO catchy theme music, NO pumas, NO hair, NO Bad Ass Aztec Dude, NO Beavers, fucking Beef causin' grief, not fun and enjoyable, even WITH riffs. Did I mention the Beef was in it? Because that alone takes away like 32,985,062 points.
Last edited by Shrapnel on Fri Aug 22, 2014 2:08 am, edited 1 time in total.
Is this wretched demi-bee
Half asleep upon my knee
Some freak from a menagerie?
No! It's Eric, the half a bee
Half asleep upon my knee
Some freak from a menagerie?
No! It's Eric, the half a bee
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- Invincible Overlord
- Posts: 10555
- Joined: Thu Sep 25, 2008 3:00 am
All that stuff you're using to demarcate So Bad Its Good is just stylistic flotsam, Shrapnel. Why is 70s hair and Donald Pleasance in a gold suit and ridiculous Aztec prophecies 'fun' stupid while horny robots and gigantic wrecking ball nuts and people going to Robot Heaven 'stupid' stupid?
Josh Kablack wrote:Your freedom to make rulings up on the fly is in direct conflict with my freedom to interact with an internally consistent narrative. Your freedom to run/play a game without needing to understand a complex rule system is in direct conflict with my freedom to play a character whose abilities and flaws function as I intended within that ruleset. Your freedom to add and change rules in the middle of the game is in direct conflict with my ability to understand that rules system before I decided whether or not to join your game.
In short, your entire post is dismissive of not merely my intelligence, but my agency. And I don't mean agency as a player within one of your games, I mean my agency as a person. You do not want me to be informed when I make the fundamental decisions of deciding whether to join your game or buying your rules system.
- Darth Rabbitt
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I'll point out that 70s hair and Donald Pleasance in a gold suit and ridiculous Aztec prophecies are all done completely straight-faced in The Pumaman. Horny robots and gigantic wrecking-ball-nuts are not done straight-faced in Transformers: Revenge of the Fallen (admittedly people going to Robot Heaven is, but the Robot Heaven bit was not the painful part of it).Lago PARANOIA wrote:Why is 70s hair and Donald Pleasance in a gold suit and ridiculous Aztec prophecies 'fun' stupid while horny robots and gigantic wrecking ball nuts and people going to Robot Heaven 'stupid' stupid?
Most of the So Bad It's Painful parts of the Bayformers films (and let's face it, there are many) are attempts at intentional humor. If all of the racist humor and mechanical dick jokes and "wacky" parents were cut out of them, they'd still be stupid films, but I could have theoretically derived enjoyment from them. (They'd also be about an hour shorter, and So Bad It's Good movies should be on the short side in the same way you don't want to ruin a joke by dragging it out for too long.)
I think that bad movies should not attempt intentional humor, because bad movies are already jokes to begin with, and it's hard (if not impossible) to make a parody of a parody. To me, So Bad It's Good is unintentional deadpan humor. The enjoyment comes from the fact that the maker(s) thought whatever bad stuff they were doing was genuinely good.
Pseudo Stupidity wrote:This Applebees fucking sucks, much like all Applebees. I wanted to go to Femboy Hooters (communism).
This is the crux of it. Most So Bad It's Good movies take themselves very seriously (exception: Rocky Horror) and that's what makes them fun. The emotional response that The Room or Showgirls was seeking isn't laughter, and that's why laughter is the appropriate response to it. When Bay attempts comedy and fails, the appropriate response is a dignified, slightly embarrassed silence.Darth Rabbitt wrote:°
I think that bad movies should not attempt intentional humor, because bad movies are already jokes to begin with, and it's hard (if not impossible) to make a parody of a parody. To me, So Bad It's Good is unintentional deadpan humor. The enjoyment comes from the fact that the maker(s) thought whatever bad stuff they were doing was genuinely good.
- Stahlseele
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TF ROTF had ONE GOOD POINT!
Crotchety old Manbot Jetfire as the SR71 "Blackbird"
Crotchety old Manbot Jetfire as the SR71 "Blackbird"
Welcome, to IronHell.
Shrapnel wrote:TFwiki wrote:Soon is the name of the region in the time-domain (familiar to all marketing departments, and to the moderators and staff of Fun Publications) which sees release of all BotCon news, club exclusives, and other fan desirables. Soon is when then will become now.
Peculiar properties of spacetime ensure that the perception of the magnitude of Soon is fluid and dependent, not on an individual's time-reference, but on spatial and cultural location. A marketer generally perceives Soon as a finite, known, yet unspeakable time-interval; to a fan, the interval appears greater, and may in fact approach the infinite, becoming Never. Once the interval has passed, however, a certain time-lensing effect seems to occur, and the time-interval becomes vanishingly small. We therefore see the strange result that the same fragment of spacetime may be observed, in quick succession, as Soon, Never, and All Too Quickly.