That's right. 4E D&D inspired an explosion of activity for the first year, because while it was a fuck-up it at least tried to fuck-up in entirely new ways. 5E D&D fucks up less because it's much less adventurous, and what's more 5E D&D's fuck-ups were already solved problems. A hole in the rules will surely hurt a game as much as a set of bad rules, but what can you really say? '5E D&D should've had more comprehensive rules for stealth.' '5E D&D should've came packaged with a good default campaign setting.' '5E D&D shouldn't have dropped the feat system.' The best you can do in these instances is making a comparison of the edition in relation to what a previous edition did better, but that gets old fast; especially when the fuck-up isn't spectacular.Windjammer wrote:5th edition is therapy edition. And it seems to me to succeed wildly at it, if online reviews in fora and on Amazon are any indication. It literally does not matter what type of game the rules (or lack thereof) facilitate. This is an edition purely there to vindicate and placate highly specific segments of a self-perceivedly disenfranchised playerbase. The only significant discussion on the rules text to emerge all summer was about some bullshit, throw away reference about gender orientation and how you can play "that dwarf" any way you want. That is all you need to ever know about this edition as a text. I was initially highly disappointed that the Den failed to give a much more thorough walk through across the 5e rules books (even the MM thread is mostly impressionistic, nothing like the Angry Drunken Reviews of old), but now I understand - there is literally nothing there for such critical energies to latch onto.
The rules-set of 4E D&D gave us a ton of lessons for future devs to learn from. We now know how you can fuck up skill challenges and standardizing class advancement and wishlists and Always Fighting Orcs. If 5E D&D goes down... what exactly would we have learned that we didn't already know? Mike Mearls is an enormous fuck-up? Project management isn't just for academia and businessmen and is vital to meeting deadlines? That when you have a new edition, you need to come up with a better pitch than 'slightly improved from what came 12 years before?' That the opinion of one coherent critic is better than that of five raving fanboys? What?