The EuroTheatre Sourcebook for Cyberpunk
Cyberpunk 2020 was always a bit on the golly-gosh-wow end of Cyberpunk games. You could get a cybernetically implanted tape deck for fuck's sake. This book, complete with its terrible art is the Cyberpunk sourcebook to try to put over the R Talsorian vision of what Europe was supposed to be. Keep in mind that Cyberpunk's main playground was the fictional city of “Night City”, which is Moss Landing California, but with more urbanness (which admittedly, is not particularly difficult since Moss Landing is basically a road side vegetable stand and the county's main power plant).
Now for this project they went a bit farther afield with their author pool and decided to tap one Mark Galeotti. He's an academic who spent most of the nineties writing alarming pieces for Jane's about the military capabilities of Russia and the social impacts of the collapse of the Soviet Union. But apparently he also likes writing RPG stuff in his free time. I personally can relate.
He also did Mythic Russia, which isn’t so bad. Europe was always a strange place by Americentric cyberpunk standards. When your idea of “exotic” locales for cyberpunk settings includes Seattle and Denver, it’s a bit hard to imagine what life is like in, say, France or the Hungary. Most of these books emphasize the continued existence of Russian socialism for longer than you might think.
The amazing thing about Eurosource, unlike say, the Germany sourcebook for Shadowrun, is that it was actually updated several years later and re-released as Eurosource Plus.
Production values on this book are not high by modern standards. Heck, by modern standards this wouldn't even be publishable. RPG art has come a long way, and the ubiquitousness of desktop publishing programs has caused text quantities and layout quality to skyrocket. This book on the other hand, is an 80 page screed written in 1991 and I am going to have to drink more Vaječny Sen to get through this. That's a Czech liquor made out of eggs somehow that is sweet and kind of gross. The art looks like it is taken from the early 60s line drawings that today get copypastaed into webcomics like Married to the Sea. According to the credits, this book had five artists and an art director, but it seems like the art director was charged with sorting through the stuff the artists scribbled on placemats at Denny's for things that were “kinda useable”.
It is the 80s, and the cover is very multicultural indeed. We’ve got a black guy with a flat top, two vaguely Asian-looking people, and three Aryans with 80s hair. For reasons not immediately apparent, each is prominently displaying the flag of their country, and the background is filled with flying cars.
The art is pretty bad indeed, but about commensurate with other books like GURPS Cyberpunk…and while Frank likes to rant about how poor and unacceptable this all is, keep in mind that this was a professional product compared with some of the other products of the era. And indeed, the styles then are no sillier than some of the styles now.
Introduction
There’s a new Edge in towen; a new style. It’s smoother, more subtle, with the sheen of expensive metal and silk. It moves throught he cabarets and clubs like a cyberteched shark, seeking the action, defining the fashion, choosing its targets with precision. When it goes for the kill, a momentary fog of blood hits the water, then, once again, the smooth, remorseless waves close over the body.
What is it? It’s Eurostyle. And there’s only one place you can get it.
The “introduction” is just most of a page's worth of ranting. It's basically a “foreword.” It's trying to tell you that “Europe” is a distant and mysterious place. Also it's pimping the idea of “Eurostyle”, which looking back at from 2013 I cannot even read without hearing it in Psy's voice followed by ridiculous horse dance antics. But this was 1991 when they thought that Europe was a mysterious unknown, so asking them to predict Korean pop sensations is perhaps unfair.
Eurostyle has all the hallmarks of an STD, and even in an 80s when big sweaters were in seems more than a bit of a stretch. The thing is, Europe was a mysterious place to a lot of cyberpunk afficiandos; most of the writers were, to put it mildly, rather young and broke and wrote mainly about a broken American dystopia or far-away places like Japan or outer space. That’s not to say that there weren’t stories set in Europe, but it was predominantly an American movement with American/Canadian authors like in North America, and so Europe was less the focus of things. I hold that you could write a really cool and interesting book on cyberpunk in Europe. Eurostyle probably would not be in it.
The biggest anachronism here isn't the fact that it describes the Russian security agency as “KGB”, it's that they describe the EEC as “the most powerful entity on Earth”. Yes, really. It was 1991, and people were predicting that the EU would get their shit together and command the largest economy the world had ever seen, wielding power to match. That the entire EEC experiment would basically turn out to be a failure on the grounds that it isn't actually a functioning fiscal or monetary union and is actually just a toothless treaty organization seemed to completely miss them. It's odd, because this book is supposed to be Cyberpunk, where the failure of governmental agencies is supposed to be pretty much assumed, and we already had ample examples of this sort of high minded international feeble posturing with the UN and the League of Nations before that. No individual group wants to cede power to the Federal body, so without an army of its own there really isn't a tendency for centralization.
The idea that any particular part of the world would get its shit together is always the stuff of science fiction; it’s just amazing that so many people seemed to think the EEC would actually turn into something more significant.
One of the things you immediately notice in this book is the British spelling. I guess that was to give it a more European feel?
Attempts to predict the course of slang rarely work out, and Cyberpunk is not an unusual case. They helpfully inform you that this book will contain three new adventures, which we are assured will be “slammin”. And they end on this note:
EUROSOURCE wrote:So here's your ticket, ripperboy. Grab your seat; the party's just starting. Here's Eurostyle– in your face.
Now you can't unsee that image whenever you hear “Eurostyle” either.
I love the old RPG copyright disclaimers:
Asses covered, we don our mirrorshades and delve into…the New Europe.Copyright © 1991 by R. Talsorian Games, Inc. All Rights Reserved. Cyberpunk ® is R. Talsorian’s Trademark name for its adventure game of the dark future. The terms Netrunner, Chromebook, Night City and Eurosource are trademarks of R. Talsorian Games, Inc. All Rights Reserved under Universal Copyright Convention. All incidents, situations, and persons portrayed within are fictional any similarity, without satric intent, of characters living or dead is strictly coincidental.