Otakusensei wrote:An artist I know who did some work for CGL refereed to Randall as "A joke who seemed like he was delivering pizzas yesterday and has no idea how to do the job he's been handed today". Randall hired Jason.
Good luck getting some order back in the place. It does seem like once you're in they will give as much work as you will take. Just make sure you're compensated for it.
Sort of.
Catalyst's output is
really small. Remember, Attitude had
twelve authors. Consider Critias' word count for the moment. 5.3k words. That's something I squeeze out in two or three days when I am writing prose working on alt.war. Obviously formatting charts takes longer, but he wasn't asked or allowed to do any of that. And he wasn't supposedly doing his own editing or typesetting - that's even more people.
So put that in perspective: Critias was allowed to do as much directed writing as I do after school on the days my girlfriend works late in
one week. And he joined their illustrious crew in
august. To do "emergency writing" for a book that was already months overdue. That experience is not unique by a longshot.
Catalyst has a labor glut. As it has always had. It's one of the reasons I do not understand why or how bad writers or writers with poor English or writers with a poor grasp of the rules are allowed to keep their jobs. Catalyst
does not need them. It doesn't need any specific person at all, and it never did. If they had half as many people writing on Attitude,
that would still be too many people. And the really insulting part is that it's so shallow that it honestly could have been done in a month. It's not like anyone was asking them to write 70 years of Siamese military history or anything. They are writing petty internet flame wars about basketball players. Pretty much everything could be phoned in with little or no research. Those few places where research was done actually made the book
more annoying, by giving writeups of singers who died twenty years in the past as if they were hip and relevant.
But sure. If you suck the right wang, you could make it all the way up to being one of the writer's with first pass on sections for books. But you're still looking at writing 10-20k a book and the schedule seems to be about 4-6 books
a year. And most of the regulars don't even get that much. If you got a long piece in every book, and they hit quotas that they haven't made
ever, you'd have over a hundred thousand words a year. At my levels of output, I could seriously be juggling five companies like that without a lot of strain.
But since what actually happens is that Jason sits on his ass for four months at a time and then hands you a writing or rewriting assignment that is
double secret urgent, it's still too much of a pain in the ass for someone like me to put up with.
-Username17