The soundtrack for this review is "Move Your Dead Bones," the music video to the Beyond Re-Animator movie. Because they filmed in Spain...look, just go with me on this.
http://www.youtube.com/watch?v=7BnOUOkcr9c
Burning Angel Entertainment, 2005. Hardcore in various positions, some oral. I have the "Special Edition" of the DVD - which comes in a regular DVD box with cover art and everything. The back cover copy actually provides an excellent summary of the plot:
Special features include different cuts of the film, a behind-the-scenes look, audio commentary from the cast and the director, and theatrical trailers. I'm going to be straight with everybody here, even my dedication to research instincts isn't going to bring me to the point of listening to porn actors and the film director and director of photography do a MST3K over zombie fucking.Winner of the 2006 AVN Award for "Most Outrageous Sex Scene", Re-Penetrator (Directed by Doug Sakmann) is a pornographic spoof of H. P. Lovecraft's 80's horror flick Re-Animator The film is the story of a stripper (Joanna Angel), who after being dead for twenty years, is resurrected by a perverted mad scientist, Dr. Hubert Breast (Tommy Pistol). Dr. Breast vaginally injects the long dead, but exquisitely preserved, exotic dancer with a special serum so the re-penetrated corpse will return from the VIP room in hell and crave nothing but sex. After he injects her with a gooey green potion, the stripper awakens with an insatiable craving for balls and fucks the mad scientist from the gurney to the grave.
As should be perfectly clear, this is a spoof on the film Re-Animator, with only the most tenuous connections to Lovecraft's original tongue-in-cheek short story.
"Prometheus brought the gift of life - fire to man - but I - I will bring the world a much greater gift - immortality! Mwahuhuhuh."
The opening lines and the ratty electric piano music pretty much set the stage. A gore-stained, nekkid Joanna Angel lies on the table and allows Tommy Pistol to chew through his lines before letting him put something meant for inseminating horses between her legs (though thankfully, it looks like there was no penetration). Green goop running down her legs and Tommy still spouting stupid rip-offs from Frankenstein, the film starts with the twenty minutes of gore-sex.
Which mainly involves a lot of pale makeup on Joanna, some paint spatters and stuck-on wounds, and two instances of surprise blood packets bursting during oral sex (male and female); the film transitions allow the re-application of more faux-blood as necessary, so that the original all-white-cloth operating table that is the centerpiece of the set is quickly a macabre piece of art. While we're not really paying attention to the background, it looks like it was shot in a large shed of some kind with props from the local Spencer's Gifts - lava lamp, plasma ball, some dry ice, bottle of generic vodka, a can of Pabst Blue Ribbon, some fake intestines, fake fetus or alien or something in a jar lit from beneath, lots of syringes and vials filled with lightstick-fluid...
I like the soundtrack, it's this subdued-to-the-point-of-being-indistinguishable modern-day punk stuff, fast-paced and with a little death metal cookie monster voice, the balance skewed so only the drums and some of the guitars really come through until we get to the song "Fucking Zombies" by The Secretions, everything else lost beneath Joanna Angel's moaning.
About 18 minutes in, Tommy's character is exhausted but zombie hooker wants more - which gives us the lovely scene where she rides him and basically rips him apart - although all we can see are flying organs, Joanna's lovely blood-spattered front visage, and continual gouts of blood from the Tommy-corpse; the entrails take the longest, which is fitting. There's a full-length shot of the partially dismembered Tommy at the end which, with the right lighting and slow-pan, would have been down right macabre.
However, death has made the good doctor go limp, so the doctor grabs a glowing syringe...and fade out.
Special credits include "Corpse Girl makeup| by Zombie Dong", "Gore and Blood Effects| The Evil Carrot", and "Fog Man| Erect Dick Cheney". The credits roll to "Albert Fish" by Give Me Danger.
From any sort of Mythos standpoint - hell, even from the Re-Animator movie franchise standpoint - the film makes several obvious mistakes between the re-animated and regular zombies, and there wasn't a lot of connection to the movies. Credit where credit was due, at least everybody was trying; the organ-flinging fest at the end was unexpected and gave some minimal plot development, the two actors in this movie were having fun, the makeup and special effects were obvious but no more cheesy than your average haunted house.
